Helping Artists in Need



In October 2014 there will be a special painting retreat to raise money for the Caring With Colors Foundation.  Caring With Colors was founded by Decorative Artists Deb Drager and Lynn Bandyk to help you, the artist.

Help us, help one of you!  Click here to find out how and join the list below.

Some of the wonderful people and businesses who have already donated money, product, supplies, and themselves to the October event include.....

Cutting Edge Stencils
Faux Effects International
Modern Masters
Royal Design Stencils
Proceed System
Faux Retreat
Frog Tape
Art Rollers by Xeim
Victoria Larsen Stencils
Earth Pigments
ArtQuest
Faux Design Studio
CeroGlass
Loft101 Stencils
Infinity Foils
Wunda Size by Rosebrand
LUXX Hotel
What The Heck
Soulfood Music Inc.
BOUNCE

Special thank you to the following....
Deb Drager
Lynn Bandky
Sheri Zeman (Faux Designs Studio, Loft101 Stencils)
Janna Makaeva (Cutting Edge Stencils)
Melanie Royals (Royal Design Studio)
Greg Sargema (Modern Masters)
Donna Hart (Golden Artist Color)
Donna Phelps (Sarasota School of Faux & Architectural Finishes )
Diane Walsh
David Royal
Charity Huot
Brenda Schaeffer
Mike Metcalf
Heidi Schaeffer
Dori Anderson 
Shauna Gallagher
Jeanene Dean
Janice M. Saunders 
Georgia king 
George Carper 
Cindy Feddersen 
Izabella Fabrizio
Jay Lewis 
Tara Novak 
Diane OConnor  
Patricia Jelen
Staci Mize
Jan Moody
Charlee King Adam
Debra Johnson 
Beki VanMeter
Ande Crenshaw


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Raising Money to Help Artist's in Need



In October of 2014 there will be a very special painting event to raise money for the Caring With Colors Foundation.  Caring With Colors was founded by Decorative Artists Deb Drager and Lynn Bandyk to help YOU the artist and any family member who may need help if sick.  This is a special retreat only open to past retreat attendees and in lieu of a class fee, students are asked to make a donation to Caring With Colors.  In order to ensure the success of this very important fundraiser, we are seeking contributions to help defray the costs associated with the event, so that all funds raised can go directly toward the Caring With Colors Foundation.

Generous donors like you are the key to our success and make it possible for Caring With Colors to provide artists and their families in “the fight” with cancer and other illnesses. We hope that we can count on your support to help us.

Your donation will be listed in our event program and t-shirts, as well as on the event and foundation website and various social media sites, including Groups and Pages on Facebook, Linkedin, Pinterest, Google+, Twitter. We also plan on articles in industry related media and video.

Thank you for your time and donation!

Kathy Boyd
Founder Faux Retreat | ArtNest

Please fill out the form if you can help Caring With Colors with any of the following.

*Instructor’s supplies and/or products
*Prize to be given at retreat
*Promotional giveaways
*Donation of money to go directly to foundation for CWC retreat expenses.
*Would you like to attend the retreat and set up an area to demo or show your products? (I have a building just for anyone who would like to do this. The area will be open and available Saturday, October 18.  If you would just like to come and “hang out” for a few days, you are welcome to do that as well. There are some very inexpensive ($25 - $30 night) lodging available within 1 mile.
*Sponsor past student to be able to attend. Either with direct donation or through an online contest.
*Donate Scholarship to CWC for someone to attend future Faux Retreat.
*Other donation

Regardless of the size of the donation, if you have contributed to any of the retreats in the past you will be given lots of mentions in marketing and our sincere and heartfelt thanks.

Form:  http://www.fauxretreat.com/index.php/classes/caring-with-colors

For more information you can contact Deb Drager  brt2007@gmail.com or Lynn Bandky lynn@bellabdecor.com




Faux Retreat© www.FauxRetreat.com 218-940-3095 kbmedia.biz

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Faux Tiles


Easy backsplash finish.

1. Prime area with off white Faux Effects SetCoat.  
2. After SetCoat is dry trowel Faux Effects AquaStone  through Victoria Larsen's tile stencil. Let dry overnight. 
3. Randomly pounce on tile sections (leave stencil on) Faux Effects Tundra Gold MetalGlow and Rustoleum Metallic Copper Penny. Let dry. 
4. Apply Wunda Size to tile sections and after it tacks up (roughly 30 minutes) apply foil. I used Copper Rainbow. If you have not used decorative foil before, be sure that you lay the foil color side facing up.  Use a stiff brush or a scrubby pad to rub the foil on the tiles.  
5.  To protect the finish I recommend using Sherwin Williams ArmourSeal 1K or Modern Masters MasterClear Topcoat.

I bought all my Faux Effects and Wunda Size products from Faux Design Studio.  www.paintanddesignstore.com
Victoria Larsen has several stone and backsplash stencils.  www.victorialarsen.com
The decorative foil was purchased from www.infinityfoils.com

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Staci Mize

I want to congratulate Staci Mize of Faux Finishing and Designs of Texas.  Staci is now the newest and only U.S. distributor of the Cebos Color products.  Staci is a fireball of energy and has a passion for the decorative arts profession that will leave a lasting impact on the industry.

Staci will be assisting and teaching with David Williams at the September 2014 Faux Retreat.  They will be officially debuting the Cebos Color products in the United States at this retreat.  Staci will also be teaching at the October Faux Retreat.

Watch for the announcement of her new online store and other classes coming late fall.

For more information or to be added to Staci's mailing list, click here.



Founded in 1997, Cebos Color is now one of the most important protagonist in the Italian paint decorative market and is continually improving its market share in the world.
According to the way of thinking and to the strategic view of its founder and actual chief executive, Mr Silverio Meroni, Cebos Color has based its business first of all on products, service and final consumer knowledge.
The competitive advantage of Cebos Color is its catalogue: it’s the only one company able to offer such a large range of products and every day the R&D laboratory works on new projects and ideas.
The new production site in Bergamo, close to Milano and on the most important Italian highway (A4), has been created to obtain: quality and efficiency through the automation of the production line but preserving an incredibly high flexibility and respecting in best way the environment.

These are a few finishes created with the Cebos line.



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Nathan Wainscott




"With a natural inclination toward the creative spirit, a unique approach has always been my preference to every experience and vocation. As an artist, horticulturist and lover of all natural beauty, I find my greatest strength realized in the decorative art of faux finishing.

By recognizing the natural beauty found in elements of stone, marble, wood and leather, we see a true artisan's handy work. I'm astonished, humbled and deeply moved by the opportunity to apply my talent in a way that imitates the divine in such a way.


We all seek beauty; in life, in love, in nature... I dare say it's the secret cry of a longing heart for it's maker. I pursue this beauty in my work and my life, and now offer this passion to you as an expression of the joy and meaning I've found in its pursuit."


How many people can say they are absolutely passionate about their work? Greensboro artisan Nathan Wainscott considers himself truly fortunate to be counted among that number. An expert in faux finishing, Nathan details his artistry each day in beautiful, multi-layered textures and finishes for designers, architects, homeowners and builders. Ceilings, cabinetry, walls and furniture become the canvasses upon which he expresses his colorful and creative talent.
As he collaborates with each client, Nathan is able to bring their vision to life. He believes that his decorative finishes not only enhance the interiors of his clients, they also inspire and influence the mood and atmosphere. Nathan is equally at ease creating the look and feel of distressed leather and Venetian plaster as well as other contemporary and old world finishes. He explains that faux finishing "is as much visual as it is textural.”
Each brushstroke, layer and color reflects Nathan’s love for his craft and his commitment to establishing the warmth and richness that his clients desire.
www.inspirebycolor.com  www.facebook.com/inspirebycolor











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Get the most out of your next classroom experience


One of my favorite ways to increase my skill level is to take classes from excellent instructors. For me it’s part of my self-directed curriculum, and it gives me the camaraderie of studying the art of decorative finishing with like-minded people.
There is nothing worse for an excited eager to learn student than walking into a poor learning environment run by a mediocre instructor.  Too much standing around, art projects that fail…
I have wasted lots of time and money in the past by not having a good system for choosing a class.  The following is what has worked for me and given me the most bang for the buck.

1. Do you like the instructors work?
It’s important to like what your teacher does.
On the other hand, don’t judge an instructor only by his work. Teaching is not the same as doing, and some teachers are very good painters but terrible instructors.

2. Set goals for your classes
Choose classes that fit into your artistic goals, focusing on learning what you need to know rather than spending time and money on learning another technique that won’t get you anywhere.
You may need to spend some time to figure out on your own what you want to learn. If you’re not sure whether the workshop will help, study the instructor’s work. Try his/her methods as best you can before the class.
Talk to people who have taken the class.  Don’t just go by remarks or reviews you have seen posted.  Actually talk to people who have taken a class and get lots of opinions.  Even if you hear some bad reviews, this doesn’t necessarily mean you should not take a class with this instructor.   Do your research!

3. Research the products used
 Be sure the instructor is knowledgeable about the products he/she will be teaching with.  If you work with the product(s) after the class you may need some technical help and you want to feel confident you can get ready help when you need it.
Also, research the product.  Just because you saw a great finish with a “new” product don’t run and sign up without checking it out.  Remember that it is not the product that necessarily makes the finish, but the way the artist uses it that makes the finish.

4. Take notes and photos
 Go prepared. Take your notebook so you can take good notes. This is a good rule of thumb even if the instructor provides a handout. Take a camera in order to capture process shots, but ask permission first.  You should also blot colors in your notebook so you have the actual colors to reference when you need to.

Re-read your notes every evening, and note any questions.
Educators know that repetition is an important part of learning, and re-reading class notes frequently and immediately after the class will ensure that it’s embedded in your memory.

5. Practice the techniques after the class
 Set aside some time after you get home from the class to practice. This follow-through time is important for integrating what you’ve just learned into your own practice. Take each new skill and see what you can do to make it uniquely yours.

What do you look for?




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